Filmindex
The Godfather (Francis F. Coppola, USA 1972-1990)
Gun Crazy (Joseph H. Lewis, USA 1949)
The Set-Up (Robert Wise, USA 1949)
Murder, My Sweet (Edward Dmytryk, USA 1944)
Out of the Past (Jacques Tourneur, USA 1947)
Laura (Otto Preminger, USA 1944)
Nightmare Alley (Edmund Goulding, USA 1947)
Key Largo (John Houston, USA 1948)
The Killers (Robert Siodmak, USA 1946)
Scarlet Street (Fritz Lang, USA 1945)
Whisky Galore! (Alexander Mackendrick, UK 1949)
Detour (Edgar G. Ulmer, USA 1945)
T-Men (Anthony Mann, USA 1947)
Raw Deal (Anthony Mann, USA 1948)
Strangers on a Train (Alfred Hitchcock, USA 1951)
Rashomon (Akira Kurosawa, Japan 1950)
Sunset Blvd. (Billy Wilder, USA 1950)
The Asphalt Jungle (John Huston, USA 1950)
Invasion of the Body Snachters (Don Siegel, USA 1956)
D.O.A. (Rudolph Mate, USA 1950)
La Strada (Federico Fellini, Italien 1954)
The Searchers (John Ford, USA 1956)
Shadows (John Cassavettes, USA 1959)
The 400 Blows (Francois Truffaut, Frankreich 1959)
Fantomas (Andre Hunebelle, Frankreich, Italien 1964)
Onibaba (Kaneto Shindo, Japan 1964)
Blind Beast (Yasuzo Masumura, Japan 1969)
The Good, The Bad and the Ugly (Sergio Leone, Italien, Spanien 1966)
One, Two, Three (Billy Wilder, USA 1961)
Fantomas gegen Interpol (Andre Hunebelle, Frankreich, Italien 1965)
Targets (Peter Bogdanovich, USA 1968)
Le Samourai (Jean-Pierre Melville, Frankreich, Italien 1967)
Lawrence of Arabia (David Lean, UK 1962)
Ausser Atem (2) (Jean-Luc Godard, Frankreich 1960)
Youth of the Beast (Seijun Suzuki, Japan 1963)
The Premature Burial (Roger Corman, USA 1962)
Blowup (Michelangelo Antonioni, UK, Italien 1966)
Oscar (Edouard Molinaro, Frankreich 1967)
In Cold Blood (Richard Brooks, USA 1967)
Der Gehetzte der Sierra Madre (Sergio Sollima, Spanien, Italien 1966)
The Masque of the Red Death (Roger Corman, UK 1964)
The Devil Rides Out (Terence Fisher, UK 1968)
Danger: Diabolik (Mario Bava, Italien, Frankreich 1968)
Ride the High Country (Sam Peckinpah, USA 1962)
Blast of Silence (Allan Baron, USA 1961)
Pierrot le fou (Jean-Luc Godard, Frankreich 1965)
Venus in Furs (Jess Franco, Italien 1969)
Kill, Baby… Kill! (Mario Bava, Italien 1966)
The Wild Bunch (Sam Peckinpah, USA 1969)
The Cincinnati Kid (Norman Jewison, USA 1965)
Die Aussenseiterbande (Jean-luc Godard, 1964)
Letztes Jahr in Marienbad (Alain Resnais, Frankreich, Italien 1961)
Blutige Seide (Mario Bava, Italien 1964)
Play Time (Jacques Tati, Frankreich 1967)
The Sword of Dooom (Kihachi Okamoto, Japan 1966)
Deadlier than the Male (Ralph Thomas, UK 1966)
Duel (Steven Spielberg, USA 1971)
Shogun’s Samurai (Kinji Fukasaku, Japan 1978)
Monty Python and the Holy Grail (Terry Gilliam, Terry Jones, UK 1975)
The Amityville Horror (Stuart Rosenberg, USA 1979)
Milano Kaliber 9 (Fernando Di Leo, Italien 1972)
Sorcerer (William Friedkin, USA 1977)
The Boys from Brazil (Franklin J. Schaffner, USA 1978)
Badlands (Terrence Malick, USA 1973)
Foxy Brown (Jack Hill, USA 1974)
Keoma (Enzo G. Castarelli, Italien 1976)
Vampyros Lesbos (Jesus Franco, Spanien, Deutschland 1971)
El Topo (Alejandro Jodorowsky, Mexico 1970)
Brust oder Keule (Claude Zidi, Frankreich 1976)
The Getaway (Sam Peckinpah, USA 1972)
The Hills Have Eyes (Wes Craven, USA 1977)
Mannaja (Sergio Martino, Italien 1977)
Blutiger Freitag (Rolf Olsen, Deutschland 1972)
Jeder fuer sich und Gott gegen alle (Werner Herzog, Deutschland 1974)
Der Tod traegt schwarzes Leder (Massimo Dallamano, Italien 1974)
The Duellists (Ridley Scott, UK 1977)
Der Killer von Wien (Sergio Martino, Italien 1971)
Zero Woman, Red Handcuffs (Yukio Noda, Japan 1974)
Fascination (Jean Rollin, Frankreich 1979)
The Serpent and the Rainbow (Wes Craven, USA 1988)
The Shining (Stanley Kubrick, UK 1980)
A Better Tomorrow (John Woo, Hong Kong 1986)
The Changeling (Peter Medak, Kanada 1980)
The Cook the Thief His Wife & Her Lover (Peter Greenway, UK 1989)
A Better Tomorrow 2 (John Woo, Hong Kong 1987)
Ms. 45 (Abel Ferrara, USA 1981)
Paris, Texas (Wim Wenders, USA 1984)
Where the Buffalo Roam (Art Linson, USA 1980)
Down by Law (Jim Jarmusch, USA 1986)
Crimes of Passion (Ken Russell, USA 1984)
Nausicaa and the Valley of the Wind (Hayao Miyazaki, Japan 1984)
Revenge of the Nerds (Jeff Kanew, USA 1984)
Inferno (Dario Argento, Italien 1980)
Alien 3 (David Fincher, USA 1992)
Bringing Out the Dead (Martin Scorsese, USA 1999)
Red Rock West (John Dahl, USA 1992)
Hard Boiled (John Woo, Hong Kong 1992)
The Insider (Michael Mann, USA 1999)
Living in Oblivion (Tom DiCillo, USA 1995)
Gummo (Harmony Korine, USA 1997)
Porco Rosso (Hayao Miyazaki, Japan 1992)
Miller’s Crossing (Coen Bros. USA 1990)
Naked Lunch (David Cronenberg, Kanada, UK, Japan 1991)
The Iron Giant (Brad Bird, USA 1999)
Twin Peaks (David Lynch, USA 1990)
Rote Laterne (Zhang Yimou, China, Hong Kong, Taiwan 1991)
Wild at Heart (David Lynch, USA 1990)
Donnie Brasco (Mike Newell, USA 1997)
Ed Wood (Tim Burton, USA 1994)
In the Mouth of Madness (John Carpenter, USA 1995)
Ley Lines (Takashi Miike, Japan 1999)
New Police Story (Benny Chan, Hong Kong, China 2004)
Lilya-4-ever (Lukas Moodysson, Schweden, Daenemark 2002)
Monster (Patty Jenkins, USA 2003)
Mathilde (Jean-Pierre Jeunet, Frankreich, USA 2004)
Cellular (David R. Ellis, USA 2004)
The Village (M. Night Shyamalan, USA 2004)
Garden State (Zack Braff, USA 2004)
Muxmaeuschenstill (Marcus Mittermeier, Deutschland 2004)
Napoleon Dynamite (Jared Hess, USA 2004)
Sideways (Alexander Payne, USA 2004)
Closer (Mike Nichols, USA 2004)
Carandiru (Hector Babenco, Brasilien, Argentinien 2003)
Spider-Man 2 (Sam Raimi, USA 2004)
Million Dollar Baby (Clint Eastwood, USA 2004)
Friend (Kwak Kyung-Taek, Suedkorea 2001)
The Aviator (Martin Scorsese, USA 2004)
The Green Butchers (Anders Thomas Jensen, Daenemark 2003)
A Ferpect Crime (Alex de la Iglesia, Spanien, Italien 2004)
Oldboy (Chan-wook Park, Suedkorea 2003)
Godforsaken (Pieter Kuijpers, Holland 2003)
2LDK (Yukihiko Tsutsumi, Japan 2002)
The Good Thief (Neil Jordan, Frankreich, UK, Irland, Kanada 2002)
Owning Mahowny (Richard Kwietniowski, Kanada, UK 2003)
Suicide Club (Shion Sono, Japan 2002)
Save the Green Planet! (Jeong Jun-hwan, Suedkorea 2003)
Sympathy for Mr. Vengeance (Park Chan-wook, Suedkorea 2002)
Matchstick Men (Ridley Scott, USA 2003)
SpongeBob (Stephen Hillenburg, USA 2004)
Gozu (Takashi Miike, Japan 2003)
The Devil’s Backbone (Guillermo del Toro, Spanien, Mexico 2001)
The Machinist (Brad Anderson, Spanien 2004)
You Shoot, I Shoot (Ho Cheung Ping, Hong Kong 2001)
Samaria (Kim Ki-duk, Suedkorea 2004)
Crash (Paul Haggis, USA 2004)
Hardcore (Dennis Iliadis, Griechenland 2004)
Les Revenantes (Robin Campillo, Frankreich 2004)
Izo (Takashi Miike, Japan 2004)
Ab-normal Beauty (Oxide Pang, Hong Kong 2004)
Session 9 (Brad Anderson, USA 2001)
Spring, Summer, Fall, Winter… (Kim Ki-duk, Suedkorea 2003)
Monster AG (Peter Docter, USA 2001)
Bad Santa (Terry Zwiegoff, USA 2003)
Shutter (Pisanthanakun und Wongpoom, Thailand 2004)
9 Souls (Toshiaki Toyoda, Japan 2003)
The Texas Chainsaw Massacre (Marcus Nispel, USA 2003)
Veer und Zaara (Yash Chopra, Indien 2004)
Infernal Affairs 1+2 (Wai Keung Lau, Siu Fai Mak, Hong Kong 2002, 2003)
Evil (Mikael Hafstroem, Schweden 2003)
The Grey Zone (Tim Blake Nelson, USA 2001)
Devils on the Doorstep (Wen Jiang, China 2000)
Nackt (Doris Doerrie, Deutschland 2002)
The Ordeal (Fabrice Du Welz, Belgien, Frankreich, Luxemburg 2004)
Jazzclub (Helge Schneider, Deutschland 2004)
Breaking News (Johnnie To, Hong Kong 2004)
Bin-jip (Kim Ki-duk, Suedkorea 2004)
A Dirty Shame (John Waters, USA 2004)
One Day in Europe (Hannes Stoehr, Deutschland, Spanien 2005)
Koenigreich der Himmel (Ridley Scott, USA 2005)
Star Wars: Episode III (George Lucas, USA 2005)
Batman Begins (Cristopher Nolan, USA 2005)
Hostage (Florent Emilio Siri, USA 2005)
The Devil’s Rejects (Rob Zombie, USA 2005)
Sin City (Robert Rodriguez, Frank Miller, USA 2005)
The Descent (Neil Marshall, UK 2005)
Charlie und die Schokoladenfabrik (Tim Burton, USA 2005)
Land of the Dead (George A. Romero, USA 2005)
The Hitchhiker’s Guide to the Galaxy (Garth Jennings, USA, UK 2005)
Mad Hot Ballroom (Marilyn Agrelo, USA 2005)
L’Iceberg (Abel, Gordon, Romy, Belgien 2005)
Match Point (Woody Allen, UK 2005)
A History of Violence (David Cronenberg, USA 2005)
Saw 2 (Darren Lynn Bousman, USA 2005)
The Jacket (John Maybury, USA, Deutschland 2005)
Munich (Steven Spielberg, USA 2005)
Walk the Line (James Mangold, USA 2005)
Brokeback Mountain (Ang Lee, USA 2005)
Shinobi (Shimoyama Ten, Japan 2005)
Fearless (Ronny Yu, Hong Kong 2006)
Jarhead (Sam Mendes, USA 2005)
Mr. and Mrs. Smith (Doug Liman, USA 2005)
Hostel (Eli Roth, USA 2005)
Lord of War (Andrew Niccol, USA 2005)
Next Door (Pal Sletaune, Daenemark, Schweden, Norwegen 2005)
Wolf Creek (Greg McLean, Australien 2005)
Domino (Tony Scott, USA 2005)
Dear Wendy (Thomas Vinterberg, Daenemark 2005)
Paradise Now (Hany Abu-Assad, Frankreich, Deutschland, Holland, Israel 2005)
Broken Flowers (Jim Jarmusch, USA 2005)
Requiem (Hans-Christian Schmid, Deutschland 2006)
Das Leben der Anderen (Florian Henckel-Donnersmarck, Deutschland 2006)
The Brothers Grimm (Terry Gilliam, UK, Tschechien, USA 2005)
The New World (Terrence Malick, USA 2005)
The Hills Have Eyes (Alexandre Aja, USA 2006)
Fluch der Karibik 2 (Gore Verbinski, USA 2006)
The Dark Hours (Paul Fox, Kanada 2005)
Satan’s Playground (Dante Tomaselli, USA 2005)
Tom yum goong (Prachya Pinkaew, Thailand 2005)
Borat (Larry Charles, USA 2006)
2001 Maniacs (Tim Sullivan, USA 2005)
The Woods (Lucky McKee, USA 2006)
Haze (Shinya Tsukamoto ,Japan 2005)
The Proposition (John Hillcoat, Australien 2005)
Casino Royale (Martin Campbell, USA 2006)
Little Miss Sunshine (Dayton and Feries, USA 2006)
Miami Vice (Michael Mann, USA 2006)
Crank (Neveldine and Taylor, USA 2006)
United 93 (Paul Greengrass, USA 2006)
Scoop (Woody Allen, UK 2006)
Severance (Christopher Smith, Deutschland, UK 2006)
Idiocrazy (Mike Judge, USA 2006)